The 50-minute semi-live album Mew with Copenhagen Philharmonic will be released next week (December 14th), but you can have a little read about it now on our reviews-page. Here’s the direct link to the review. Composed by Mew and Karsten Fundal Conducted by Hans Ek Produced by Karl Bjerre Skibsted If possible, before reading the album review, […]

Last week the Frengers 15th Anniversary Tour kicked off in Mexico. Apart from the exclusive “teaser” full-length show at Stengade back in May, the following ten shows in Denmark, Norway, Finland and Estonia were all Summer festivals with shorter setlists. Frengers album was played from start to finish in all of them, of course, but

Goethe wrote that “music is liquid architecture; architecture is frozen music”. That being the case, it’s fitting that part of my 15th anniversary with Frengers is diaried to take place at the Barbican Centre in London. The Big Smoke, the Great Wen, Londontown, the city where plenty of the record was germinated; Mew‘s quintessentially non-British opus. And

Helsinki, Finland (December 7, 2017) When Mew announced their Scandinavian tour, they took the geography of Scandinavia pretty seriously as initially Finland didn’t have a tour date. As Mew are known to be big fans of Finland, this was a bit of a shock at first. In 2014 Mew played their first show after Johan

Perth, WA, Australia (September 13, 2017) Hidden away in one of the most isolated cities in the world meanders a handful of creatures known as Frengers. Wandering the landscape of Mewstralia, these Frengers have listened to Mew’s otherworldly sounds for some decades, their hearts and minds fluttering to the sounds of their ephemeral orchestration. For

Melbourne, VIC, Australia (September 12, 2017) Leading up to the show tonight, there was something that just didn’t sit right with me. Against all odds we managed to give Mew a warm enough reception the first time around to warrant a second tour of Australia, but the feeling wasn’t like last time. And that is

Sydney, NSW, Australia (September 11, 2017) It’s 9:30pm on a Monday night. The Manning Bar, a long-serving venue in the midst of Sydney University, has a small gathering of people milling about its general vicinity. The crowd barrier has been removed, leaving attendees taking up the space left by its absence. Sun Kil Moon’s Common

Brisbane, QLD, Australia (September 10, 2017) It is the kind of anxiety that feels heavy, like a coat that’s too big and scratchy when the air is suddenly very hot. I’m late for doors and slip inside the venue after riding in the car with my brother from my apartment in Red Hill. It is

Los Angeles, CA, USA (August 26, 2017) I like to believe that I live my life as unapologetically honest as possible. As I write this review, I find it hard to wrap my head around a beginning; so I guess we can just start off with when I saw Mew two years ago in Los